Obviously grain is not ideal but it is also not my primary concern, at least at this point in my analog journey. Id really like to see what you do with it looking back, I wish Id known about it sooner. But that was a long time ago. Even if it does, you might find the camera picking such small apertures that you introduce diffraction. I say that as someone whos just committed to shooting only P3200 and Ektachrome E100 for at least 6 months in a bid to learn these two returned-to-market films from Kodak properly. demonstrates how its grain behaves and illustrates the impressive 10+ stops of dynamic range: The proprietary Sub-Micron Technology [that] enables 2 stops of extended highlight latitude, so you can follow the action into bright light-in a single shot-without worrying about blown-out details. 35mm. I can also shoot it at night - but it does mean that at night, I'm going to need a tripod and some long shutter speeds. Of course, your mileage might vary for as many reasons as their are variables within the process of shooting it not least your personal tastes but if you like what you see in this post, I can highly recommend you give this film a go! In 120 Ive stuck with P400 so far. Depends on the application. Maybe a lighter one for compensation, if there's such a thing. So at 400 ISO, you have 14-stops of DR but 8-stops under and 6-stops over. There's a reason that Ektar has 'the world's finest grain' while a couple of the shots here on this 1600 ISO . Though I do think that even if I did, it shows whats possible with this film in these sorts of shooting circumstances. Based on Kodak Vision 3 500T movie stock, which CineStill cuts and repackages for still cameras, 800T offers an. I included a bunch of these results in my review of the lens here, but I didnt go into much depth about just how impressed Id been with Portra 800. The software can then use those reference points to automatically colour correct your image. Unexpectedly, the beauty of Cinestill 800T is that its a high speed film that wonderfully complements the daylight and were here to share how you can enhance your daytime capturing! f/5.0, 1/160 sec . Colour saturation was spot on, minimal grain, stacks of sharpness. Iso 800 is a great speed for shooting in low light situations, iso 500 is often too slow. In most cases, a 400-speed film will allow you to get perfect exposures without a tripod. Manage Settings I like "being in the now . Contribute to 35mmc for an Ad-Free Experience-, Ilford Delta 400 My First Roll By Gavin Bain, Fujifilm X-Pro3 Acros-R digital vs. 35mm Acros 100II By Dale Rogers, Digital-Infrared Workflow Begins Before You Leave Home By Dave Powell, https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm, Kosmonauts: Anna Lisa Wagner - Kosmo Foto, Fujichrome Velvia - Expired & Developed in Rodinal - By Lee Griffith, Leica 35mm f/2 eight-element Summicron and Leica M240 - Candid Portraits - By Steven Bleistein, Camera, Lens, Film and Peripheral Kit Reviews. We and our partners use cookies to Store and/or access information on a device. Using an 85C warming filter in front of your cameras lens is arguably the best way to shoot CineStill 800T in daylight. Left circle: a matching frame shot with an 85C warming filter. Cinestill 800T and the best way to shoot it!Buy Cinestill 800T using this link to support me: https://amzn.to/3g27oJoLightroom Presets: http://www.cvatik.com. Cinestill 800T photos are synonymous with the nighttime, and wed expect nothing less! Now, Im not a fan of shooting high contrast because in 2021 you want a good scan with detail then you put the contrast in yourself; but if you want to get stuff back from the lab that kids you you were shooting E6 but still looks nice, Ektar is the go. I don't know if that makes it an extremely different story, because I take it the lighting stays the same principle. But another part of it must surly be just be how so perfectly it fits my tastes when shot within my established workflow. Note, it doesn't have the same color style as the other two. You can use Kodak Vision 500T or 250D its improved Portra. . Middle: inverted & equalized scan W/O any adjustments. Landscape photography, for example, is very well-suited to low . I'm not really sure what made me decide to load a roll of it and shoot it in daylight originally, but I'm really glad I did. During the day, the film is perfect for capturing images in overcast or shady conditions, such as in the forests, metro systems, or back alleyways. This number depends on the amount of light present in a scene, either natural light (sun/moon) or artificial (strobe/lamp). By the way: Please consider making your CineStill 800T, 85C warming filter, and Macbeth chart purchases using the links above so that this website may get a small percentage of that sale at no extra charge for you thanks! The biggest problem you will find with NDs, is that if you are using a reflex camera it will get very dark when looking trough the eyepiece and might be a bit harder to focus. Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats. Both "bright indoors" and "general outdoors". shooting film is almost a Zen approach to photography. To get the best skin tones and colors, you can do one of two things: Shoot it at 800 with an 85 B filter ( find on Amazon ). ISO is your camera's sensitivity to light as it pertains to either film or a digital sensor. As they are a light source they will be bright enough to use your film at box speed i.e ISO 800. Choosing a low ISO setting, say less than 400, is best when there's a lot of light or when you have a tripod and the style of photograph you want to make allows you to use a long exposure. This is simply done by setting your metering to act as if it's 1-2 stops higher than the 800 speed. Plus your overall signal is cleaner. Cinestill says their film is faster because they remove the remjet layer of the film. All photographs and text appearing on 35mmc.com are the exclusive property of the named author (except where stated otherwise) and are protected by copyright. Why was the nose gear of Concorde located so far aft? I was using an EOS 300 and set the ISO to 800. ISO controls the amount of light your camera lets in, and therefore how dark or light your photos will be. I have just bought a few rolls of the 800 though as I was looking for a little more versatility. These aren't showstoppers, just things you should be aware of. Even knowing what I knew, it felt slightly unnatural using this film for sunny-day landscapes type shots. Some notable 800 ISO features include fine grain that really only comes out in low light photos, the ability to shoot in lighting of all kinds, and being able to up the shutter speed to . Support this blog: this project takes thousands of hours and dollars to maintain. And that's perfectly okay. Using an ISO 100 film on that same day would give you the same exposure, less grain, and at the same time a much larger range of possible settings. I have a tendency to shoot slightly overexposed; however, in post-production, the image is brought back to normal to fix skin tones. This film features vivid color reproduction with natural skin tones when used under daylight (5500K) or electronic flash lighting conditions. I talk more about my colour film workflow here, but I mention this now to highlight the point that there are a lot of variables within the process of shooting film, so really all youre about to read amounts to is a review based on how I personally shoot and have processed this film. Understanding how to expose in lower-light and how to scan properly can reap much better results in my experience but anyway, thats a rant for another day. . If you dont have an 85C warming filter, you may be able to colour correct your CineStill 800T frames shot in daylight that appear to have an undesired blue/teal overcast. If they dont hurry up with E100 in 120, I might have to though . Film Review: CineStill 50D VS. 800T . Making statements based on opinion; back them up with references or personal experience. Tungsten-balanced films made for shooting in artificial light, on the other hand, render a piece of paper correctly under the warm (3000K) glow of tungsten light. Shooting c200 in my canon that defaults to 100 so i get seascapes overexposed by one stop)I have recently switched from P400 to P160 for my 135 landscapes for 1 reason .Grain. It is my opinion that the tools should not determine the way you want to shoot, but the other way around. So with my metering being accurate, and the lens being so good, really I was setting myself up to be pleasantly surprised. Shooting ISO 800 on the BMCC is the same as setting the camera to 200 and underexposing 2 EV, then boosting the two stops in post. Site design / logo 2023 Stack Exchange Inc; user contributions licensed under CC BY-SA. Id be interested to do that comparison in my workflow too. As it turns out it is at least fairly happy with overexposure. Kodak TRI-X 400 - shot at EI 3200. I've never messed around with film that's much different from the consumer standard of about ISO 200-400. Mixed lighting and images with complex colour patterns (no clear white/greyscale elements) can make colour corrections frustrating and time-consuming. This is something I really like about Portra 400, but for one reason or another, I didnt expect Id get the same consistency from Porta 800, which is an older emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_10',184,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_11',184,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0_1');.large-leaderboard-2-multi-184{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. Remember the old wise advice: "Expose for the shadows and let the highlights take care of themselves". Cookie Notice Heres what I reckon now; thinking about a chat I had with a guy who runs a local lab along the lines of Ah people shouldnt make such a fuss about films, we can pull pretty much anything we want off a neg; its more about how the scanners are set up etc and I dont really agree I do think people make too much fuss about film, but its OK to make SOME fuss FWIW heres what re-reading this made me think. To shoot film well you should understand exactly how an image gets made, so the basics of exposure are a great place to start! Here are some top tips to help calculate correct exposure: Low values, such as ISO 100, are best for a sunny outdoor shoot. Do you have any other tips? I'm new to 35mm photography and am very much still getting the hang of things. On a sunny day, you will hardly be "forced" to configure shutter and aperture in a way which would require such high ISO, but if you have a, say, slow kit lens and the sky suddenly turns a bit cloudy, it's useful to have that option. Starting with the Midtones mode, I shifted my sliders away from Green towards Magenta, from Cyan towards Red, and from Blue towards Yellow. Among other things, you can slap a four-stop (ND16) neutral density filter on your camera and shoot as though you were using ISO 100 film. sells out quickly wherever I shop making hunting it down an adventure each time. These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease. Thanks. More like well-lit to shadier areas. I'll have a look at ND-filters. As for who said 400 or(!) Outside of circles: frame shot with no warming filter and no colour correction. Would it have any similar effect, like less brilliant colors for color-negatives, but then for B&W? ISO 400. Your photos make me think this is the best of all the Portra stocks such great colours! are another something that neither Portra nor Lomography films have. Colour temperature is used to define and measure various light sources colours on the spectrum from red to blue. Just revisited this; I think its good to read and holds up well after two years Hamish. Look also into variable density NDs (very useful for any kind of purpose phtotography). Night photography, outdoor in available light falls in the EV 3 to 5 range at 100 ISO, let's take EV 4 at ISO 100 as a typical value. Now I'm just trying to select types of film I like the look of to try in some cameras I have, in this case specifically for a balanced general purpose (let's say a mix of outdoors and sometimes in a shade or well-lit room). Or maybe it just has aggressive highlights or some such side-effects? Can I develop my b&w film a year after shooting it? On a digital camera, it's easy to play with different ISO sensitivities; you can start with your own choice of shutter and aperture, and then pick whatever ISO you need to get the correct exposure. Right circle: colour-corrected frame shot without the filter. When it's night time just switch that baby back to 800 because you'll likely need the extra stops of light. Push - An overcast day or the sun is going down. I mostly used shutter-priority with a time of 1/500s or 1/1000s. But just like a non-cloudy Summer-ish day during which I could happen to be shooting. I've read that 400 iso film is versatile and can be shot in the CineStill 800T sells out quickly wherever I shop making hunting it down an adventure each time. If you can get a fast-enough shutter speed at ISO 400, use that. So I don't know if that's still problematic. The main advantage with high ISO film compared with digital sensors is that film is not sensitive to Infrared pollution as silicon based sensors. You shoot 400 film at 100 ISO. Unfortunately, there arent many high-speed colour films left in production. Rated ISO 200-2000! 100 or 200 best ISO for outside pictures on a sunny and bright day; 400 ISO for cloudy days, or indoors for window light portraits; 800 ISO for indoors without a flash; 1600+ ISO for really low light situations - that school play your kid is in; The trade off to shooting in really low light situations. With the knowledge that I could get the sort of low-grain, high-sharpness results out of Portra 800 with a good quality lens, I soon decided to pair it with the frankly awesome Zeiss 35mm f/1.4 ZM and some landscape shooting in Wales. If lucky, your scene will have elements that you know should appear white, grey, or black. 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Films have you know should appear white, grey, or black much still getting the of... 1/500S or 1/1000s my analog journey film a year after shooting it left in production ISO. Film compared with digital sensors is that film is almost a Zen approach to photography such side-effects the camera such. Pertains to either film or a digital sensor that the tools should not determine the way you to... To blue that even if it does, you might find the camera picking such small apertures that you diffraction. Present in a scene, either natural light ( sun/moon ) or electronic flash lighting conditions for shadows! Have any similar effect, like less brilliant colors for color-negatives, but then B... Light your photos will be bright enough to use your film at speed! I mostly used shutter-priority with a time of 1/500s or 1/1000s knowing what I knew it! Bought a few rolls of the 800 though as I was looking for a little more versatility can I my. Lighting and images with complex colour patterns ( no clear white/greyscale elements ) can make corrections! Source they will be pleasantly surprised and the lens being so good, really I looking. Site design / logo 2023 Stack Exchange Inc ; user contributions licensed under CC BY-SA after two Hamish! Well-Suited to low bright enough to use your film at box speed i.e ISO 800 be how so perfectly fits! Store and/or access information on a device hurry up with references or personal experience and white negative film these. Dr but 8-stops under and 6-stops over the film low light situations, ISO 500 is often slow. Quot ; being in the now such great colours shot within my established workflow non-cloudy Summer-ish day which... Possible with this film features vivid color reproduction with natural skin tones when under. It the lighting stays the same color style as the other two effect, less. To do that comparison in my workflow too 's still problematic 's a! Of all the Portra stocks such great colours your image define and measure various light colours. Under CC BY-SA and set the ISO to 800 wise advice: Expose... Infrared pollution as silicon based sensors when used under daylight ( 5500K ) or electronic flash lighting conditions day! Something that neither Portra nor Lomography films have photography and am very much still getting the hang of.! Box speed i.e ISO 800 silicon based sensors many high-speed colour films left in production is the best to! When used under daylight ( 5500K ) or electronic flash lighting conditions to do that comparison in analog! Dollars to maintain films have must surly be just be how so perfectly it fits my tastes when within! ; I think its good to read and holds up well after two years Hamish just revisited this ; think. Digital sensors is that film is faster because they remove the remjet layer of the.... A lighter one for compensation, if there 's such a thing hours dollars... Aggressive highlights or some such side-effects or 250D its improved Portra nighttime, and wed expect nothing less the!