Ken Ludwig has written a crackpot comedy worthy of comic masters Preston Sturges, Billy Wilder or Howard Hawks. library of free monologues. This article is about the play. This is ""Lend Me a Tenor" monologue (Maggie)" by Jillian Vitko on Vimeo, the home for high quality videos and the people who love them. Max manages to calm Tito down, and takes the singer into the bedroom, where Tito lies down on the bed for a rest. The play was produced on both the West End (1986) and Broadway (1989). Use the understudy? Here are a few of my favorite speeches from those plays:From Hamlet: Act II Sc 2: "Oh what a rouge and peasant slave am I!" Maggie Saunders at Cedar Street Players . Lend Me a Tenor will have audiences teary-eyed with laughter. They can go to other places for deep thought and angst.".
Make Salome look like The Merry Widow!To ask Ken a question, click here. The angst-free farce "Lend Me A Tenor" was written by Washington attorney Ken Ludwig and produced in 1989 by Andrew Lloyd Webber. And Im doubly excited that its performing on the newly-renovated NorShor stage. You also provided your favorite Shakespearean comedic monologues for women.I'd love to hear your thoughts on your favorite monologues both from your works as well as others for men.THANKS!AdolphoKen replies:Dear Adolpho,I'm so glad to hear you've enjoyed reading the blog. "The role doesn't require the character study that more serious shows do," said the Ellicott City attorney who was a county prosecutor until last year. [7][8] The revival closed its limited run on August 15, 2010. Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. Throw in Diana, an ambitious, female co-star; Maggie, Maxs giddy girlfriend; Julia, a flirty head of the opera guild; and a meddling bellhop fighting for Titos attention. A sequel titled Comedy of Tenors was written by Ludwig.
Add a few lines about how he was wounded in the Battle of Cyprus, then carry him around the stage on a stretcher.Whats that? Lend Me a Tenor.script.acti. A few brief words, nothing elaborate. Max succeeds admirably, but Morelli comes to and gets into his other costume ready to perform.
Merelli is coming to Cleveland to sing the lead role in a performance of Giuseppe Verdi's Otello. Alas, Tito arrives late, his tempestuous wife Maria has a fit of jealousy, and it remains to be seen whether Saunders' mousy but determined . Ladies and gentlemen Mr. Tito Merelli killed himself this afternoon, thereby depriving many ofa great pleasure. A sellout crowd and the members of the Cleveland Opera Guild will be at the opera house that evening to see the great Merelli. (Unbeknownst to either of them, Tito accidentally takes a double-dose of tranquilizers.) The play's success can be chalked up to its convoluted plot of witty dialogue, quick pacing, dual action and stirring operatic moments. Saunders and Max try to go on with the show despite the array of women hiding in bathrooms and closets. The play was subsequently presented by Andrew Lloyd Webber for The Really Useful Company at the Globe Theatre, London on March 6, 1986 with the following cast: MAX - Denis Lawson; MAGGIE - Jan Francis; SAUNDERS - John Barron; TITO - Ronald Holgate; MARIA - Anna Nocholas; BELLHOP - Edward Hibbert; DIANA - Gwendolyn Humble; JULIA - Josephine Blake, Directed by David Gilmore; Designed by Terry Parsons; Lighting by Michael Northen. The aria becomes background music for the action happening on the other side of the stage when Maria finds Maggie in the closet. Host virtual events and webinars to increase engagement and generate leads. "From Midsummer I'd look at Oberon's monologue from Act II, Scene 1, "My gentle Puck, come hither" or from Act IV, Scene 1, Nick Bottom's monologue that begins, "I have had a most rare vision"From As you Like It, Act II, Scene 1, there's the Duke's speech that begins, "Now, my co-mates and brothers in exile"And of course, everyone's favorite, "Our revels now are ended" from the Tempest, Act IV, Scene 1.If you're looking specifically for tragedy, you might look at Hamlet or Macbeth. Lend Me a Tenor characters breakdowns including full descriptions with standard casting requirements and expert analysis. And bring your running shoes because once we start, we arent stopping., These eight characters are insane (every one of them!) The cast featured Ron Holgate (Tito), Anna Nicholas (Maria), Edward Hibbert (Bellhop), Denis Lawson (Max), Jan Francis (Maggie), John Barron (Saunders), Gwendolyn Humble (Diana), and Josephine Blake (Julia). From Lend Me A Tenor, I would recommend Saunders' monologue towards the end of Act I, just after he's discovered that Tito Merelli is unconscious and possibly dead. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world famous, Tito Morelli, Il Stupendo, the greatest tenor of his generation, to appear for one night only as Canio from Pagliacci. The pacing is so fast and the lines so similar, that it's difficult to get the right words out at the right time.". Take a look at our
Saunders tells Max to quickly change out of his Othello costume and makeup, while he goes downstairs to handle the police. A surprise Curtain Call pushes it even further over the edge leaving both cast and audience fatigued from laughter.
And bring your running shoes because once we start, we arent stopping! Maria.
A musical adaptation was presented in May 2006 as a staged reading as part of the Utah Shakespearean Festival's New American Playwright Project, in Cedar City, Utah, followed by rewrites and a production as part of USF's Summer 2007 repertory season, which received rave reviews. Join StageAgent today and unlock amazing theatre resources and opportunities. MUSIC BY BRAD CARROLL BOOK/LYRICS BY PETER SHAM. "The play is pure entertainment," said director Kathy Turyn Romaine, who is also a CCP officer. For actor Bill Cookson, who plays Tito, learning the lines and keeping the pace required more work than understanding Tito's motivation. trying to stab himself with a wine bottle).
New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. Maggie realizes that not only was Max the "Tito" that she made love to, he was also the "Tito" who sang so passionately in tonight's opera performance. This page was last edited on 21 September 2022, at 23:34. The cast included Philip Bosco (Saunders), Victor Garber (Max), Ron Holgate, Tovah Feldshuh (Maria), Caroline Lagerfelt (Diana), Jane Connell (Julia), J. Smith-Cameron (Maggie) and Jeff Brooks (Bellhop).[5][6]. Seeking 2 Actor Team for Spring
[10], In 2022, Ludwig adapted a gender-swapped version of the play entitled Lend Me a Soprano which will run at the Alley Theatre in Houston, Texas from September 16 until October 9. It was directed by Larry Carpenter. Power your marketing strategy with perfectly branded videos to drive better ROI. History. As Scene I of the play opens, Henry Saunders, general manager of the Cleveland Grand Opera Company, is anxiously awaiting the arrival of Tito Merelli, a world-famous Italian opera tenor, known as "Il Stupendo" to his many fans. 2001 - 2023, The Broadway League, All Rights Reserved. My God youve solved the whole problem! Jillian Vitko. It was universally acknowledged that he sang like a angel, but apparently he wanted to prove it. "Cafe Theatre" will feature either three one-act plays or two one-act plays and a monologue. The show opens in 1934 on an elegant Cleveland hotel suite as Henry Saunders, the manager of the local opera company, ascends into hysteria. Now two clowns are running around in costume and two women are running around in lingerie, each thinking she is with Il Stupendo. Since each role is clearly defined and quite funny, it offers the opportunity for everyone to shine. IBDB provides records of productions from the beginnings of New York theatre until today. "The ensemble group gets to bring a lot to the play," said Mr. Moore of Columbia. Sign up today to unlock amazing theatre resources and opportunities. Seeking 2 Actor Team for Spring
College/University, Community Theatre, Professional Theatre, Regional Theatre, Small Cast, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. Throw in Diana, an ambitious, female co-star; Maggie, Max's giddy girlfriend; Julia, a flirty head of the opera guild; and a meddling bellhop fighting for Tito's attention. Gain full access to show guides, character breakdowns, auditions, monologues and more! Auditioners for the roles of Max, Tito and Bellhop will be asked to sing from music sides. Sign up today to unlock amazing theatre resources and opportunities. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world famous, Tito Morelli, Il Stupendo, the greatest tenor of his generation, to appear for one night only as Canio from Pagliacci. We can prop him up and play a record. Max is mistaken for Tito, and Tito is mistaken for Max by Saunders. Please prepare a 2 minute comic monologue. During Max's performance, the "lunatic" tried to force his way into the opera house, hit a policeman who tried to stop him, and ran away. All monologues are property and copyright of their owners. The title is a pun on "Lend me a tenner" (i.e., a ten-dollar bill). But Tito arrives sick from overeating and Maria is angry at his flirting and infidelities. New York, NY, Linda Ray
Our 700-plus members include theatre owners and operators, producers, presenters, and general managers in North American cities, as well as suppliers of goods and services to the commercial theatre industry. [3][4], After sixteen previews, the Broadway production, directed by Jerry Zaks, opened on March 2, 1989 at the Royale Theatre, and closed on April 22, 1990 after 476 performances. Show Dates: Performances: Mar 6-8, 13-15, 20-21 Friday/Saturday Performances 8pm, Sunday Matinee 2pm LEND ME A TENOR is presented by special arrangement with Samuel French General Information Important: Bring a list of ALL conflicts with you. When he learns that Max is an aspiring opera singer, Tito kindly gives Max a singing lesson, teaching him to "loosen up" and sing with more confidence. He goes into the bathroom to change, and later returns, dressed as Othello, in a costume, wig, and blackface makeup. [2], The West End production opened on March 6, 1986 at the Globe Theatre, where it ran for ten months, closing on January 10, 1987. . Tito and Maria leave together, while Saunders accompanies Diana to a downstairs reception. Maggie is a fan of Tito Merelli, and hopes to meet him. The play, originally titled Opera Buffa, had been produced at a summer theater, American Stage Festival, Milford, NH, in 1985. We don't currently have any monologues from Lend Me a Tenor . Joyce Luy, as the flamboyant Maria, who makes every entrance and exit memorable with her body moves and stunning red gown, brings the house down whenever she opens her mouth. As is typical of farces, mistaken identities and double entendres reign until everything resolves happily. IBDB also offers historical information about theatres and various statistics and fun facts related to Broadway. Search. History Lend Me a Tenor was first presented at the American Stage Festival, Milford, New Hampshire on August 1, 1985. Michelle Madison, as the sexy opera singer Diana who, in a calculated career move tries to bed down Tito, shows deft, comedic timing. And from Shakespeare in Hollywood, I would suggest the short monologue by the character Max Reinhardt in Act I, Scene I, page 17 of the Samuel French edition.As for monologues from other sources, I couldn't tell from your email if you were looking for specifically comic pieces, so I've included a range of my favorite monologues from Shakespeare's plays:From Much Ado About Nothing, there are two great monologues by Benedick. Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. Sign up today to unlock amazing theatre resources and opportunities. CCP decided two years ago to limit its annual lineup to light comedy. They are looking for "a lunatic dressed as Othello, who thinks he's Tito Merelli." Lend Me A Tenoris set in September 1934. I mean, I just want to be helpful. Lynn Zimmerman's Maggie is adept at being both demure and lusty. 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