Obviously grain is not ideal but it is also not my primary concern, at least at this point in my analog journey. Id really like to see what you do with it looking back, I wish Id known about it sooner. But that was a long time ago. Even if it does, you might find the camera picking such small apertures that you introduce diffraction. I say that as someone whos just committed to shooting only P3200 and Ektachrome E100 for at least 6 months in a bid to learn these two returned-to-market films from Kodak properly. demonstrates how its grain behaves and illustrates the impressive 10+ stops of dynamic range: The proprietary Sub-Micron Technology [that] enables 2 stops of extended highlight latitude, so you can follow the action into bright light-in a single shot-without worrying about blown-out details. 35mm. I can also shoot it at night - but it does mean that at night, I'm going to need a tripod and some long shutter speeds. Of course, your mileage might vary for as many reasons as their are variables within the process of shooting it not least your personal tastes but if you like what you see in this post, I can highly recommend you give this film a go! In 120 Ive stuck with P400 so far. Depends on the application. Maybe a lighter one for compensation, if there's such a thing. So at 400 ISO, you have 14-stops of DR but 8-stops under and 6-stops over. There's a reason that Ektar has 'the world's finest grain' while a couple of the shots here on this 1600 ISO . Though I do think that even if I did, it shows whats possible with this film in these sorts of shooting circumstances. Based on Kodak Vision 3 500T movie stock, which CineStill cuts and repackages for still cameras, 800T offers an. I included a bunch of these results in my review of the lens here, but I didnt go into much depth about just how impressed Id been with Portra 800. The software can then use those reference points to automatically colour correct your image. Unexpectedly, the beauty of Cinestill 800T is that its a high speed film that wonderfully complements the daylight and were here to share how you can enhance your daytime capturing! f/5.0, 1/160 sec . Colour saturation was spot on, minimal grain, stacks of sharpness. Iso 800 is a great speed for shooting in low light situations, iso 500 is often too slow. In most cases, a 400-speed film will allow you to get perfect exposures without a tripod. Manage Settings I like "being in the now . Contribute to 35mmc for an Ad-Free Experience-, Ilford Delta 400 My First Roll By Gavin Bain, Fujifilm X-Pro3 Acros-R digital vs. 35mm Acros 100II By Dale Rogers, Digital-Infrared Workflow Begins Before You Leave Home By Dave Powell, https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm, Kosmonauts: Anna Lisa Wagner - Kosmo Foto, Fujichrome Velvia - Expired & Developed in Rodinal - By Lee Griffith, Leica 35mm f/2 eight-element Summicron and Leica M240 - Candid Portraits - By Steven Bleistein, Camera, Lens, Film and Peripheral Kit Reviews. We and our partners use cookies to Store and/or access information on a device. Using an 85C warming filter in front of your cameras lens is arguably the best way to shoot CineStill 800T in daylight. Left circle: a matching frame shot with an 85C warming filter. Cinestill 800T and the best way to shoot it!Buy Cinestill 800T using this link to support me: https://amzn.to/3g27oJoLightroom Presets: http://www.cvatik.com. Cinestill 800T photos are synonymous with the nighttime, and wed expect nothing less! Now, Im not a fan of shooting high contrast because in 2021 you want a good scan with detail then you put the contrast in yourself; but if you want to get stuff back from the lab that kids you you were shooting E6 but still looks nice, Ektar is the go. I don't know if that makes it an extremely different story, because I take it the lighting stays the same principle. But another part of it must surly be just be how so perfectly it fits my tastes when shot within my established workflow. Note, it doesn't have the same color style as the other two. You can use Kodak Vision 500T or 250D its improved Portra. . Middle: inverted & equalized scan W/O any adjustments. Landscape photography, for example, is very well-suited to low . I'm not really sure what made me decide to load a roll of it and shoot it in daylight originally, but I'm really glad I did. During the day, the film is perfect for capturing images in overcast or shady conditions, such as in the forests, metro systems, or back alleyways. This number depends on the amount of light present in a scene, either natural light (sun/moon) or artificial (strobe/lamp). By the way: Please consider making your CineStill 800T, 85C warming filter, and Macbeth chart purchases using the links above so that this website may get a small percentage of that sale at no extra charge for you thanks! The biggest problem you will find with NDs, is that if you are using a reflex camera it will get very dark when looking trough the eyepiece and might be a bit harder to focus. Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats. Both "bright indoors" and "general outdoors". shooting film is almost a Zen approach to photography. To get the best skin tones and colors, you can do one of two things: Shoot it at 800 with an 85 B filter ( find on Amazon ). ISO is your camera's sensitivity to light as it pertains to either film or a digital sensor. As they are a light source they will be bright enough to use your film at box speed i.e ISO 800. Choosing a low ISO setting, say less than 400, is best when there's a lot of light or when you have a tripod and the style of photograph you want to make allows you to use a long exposure. This is simply done by setting your metering to act as if it's 1-2 stops higher than the 800 speed. Plus your overall signal is cleaner. Cinestill says their film is faster because they remove the remjet layer of the film. All photographs and text appearing on 35mmc.com are the exclusive property of the named author (except where stated otherwise) and are protected by copyright. Why was the nose gear of Concorde located so far aft? I was using an EOS 300 and set the ISO to 800. ISO controls the amount of light your camera lets in, and therefore how dark or light your photos will be. I have just bought a few rolls of the 800 though as I was looking for a little more versatility. These aren't showstoppers, just things you should be aware of. Even knowing what I knew, it felt slightly unnatural using this film for sunny-day landscapes type shots. Some notable 800 ISO features include fine grain that really only comes out in low light photos, the ability to shoot in lighting of all kinds, and being able to up the shutter speed to . Support this blog: this project takes thousands of hours and dollars to maintain. And that's perfectly okay. Using an ISO 100 film on that same day would give you the same exposure, less grain, and at the same time a much larger range of possible settings. I have a tendency to shoot slightly overexposed; however, in post-production, the image is brought back to normal to fix skin tones. This film features vivid color reproduction with natural skin tones when used under daylight (5500K) or electronic flash lighting conditions. I talk more about my colour film workflow here, but I mention this now to highlight the point that there are a lot of variables within the process of shooting film, so really all youre about to read amounts to is a review based on how I personally shoot and have processed this film. Understanding how to expose in lower-light and how to scan properly can reap much better results in my experience but anyway, thats a rant for another day. . If you dont have an 85C warming filter, you may be able to colour correct your CineStill 800T frames shot in daylight that appear to have an undesired blue/teal overcast. If they dont hurry up with E100 in 120, I might have to though . Film Review: CineStill 50D VS. 800T . Making statements based on opinion; back them up with references or personal experience. Tungsten-balanced films made for shooting in artificial light, on the other hand, render a piece of paper correctly under the warm (3000K) glow of tungsten light. Shooting c200 in my canon that defaults to 100 so i get seascapes overexposed by one stop)I have recently switched from P400 to P160 for my 135 landscapes for 1 reason .Grain. It is my opinion that the tools should not determine the way you want to shoot, but the other way around. So with my metering being accurate, and the lens being so good, really I was setting myself up to be pleasantly surprised. Shooting ISO 800 on the BMCC is the same as setting the camera to 200 and underexposing 2 EV, then boosting the two stops in post. Site design / logo 2023 Stack Exchange Inc; user contributions licensed under CC BY-SA. Id be interested to do that comparison in my workflow too. As it turns out it is at least fairly happy with overexposure. Kodak TRI-X 400 - shot at EI 3200. I've never messed around with film that's much different from the consumer standard of about ISO 200-400. Mixed lighting and images with complex colour patterns (no clear white/greyscale elements) can make colour corrections frustrating and time-consuming. This is something I really like about Portra 400, but for one reason or another, I didnt expect Id get the same consistency from Porta 800, which is an older emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_10',184,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_11',184,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0_1');.large-leaderboard-2-multi-184{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. Remember the old wise advice: "Expose for the shadows and let the highlights take care of themselves". Cookie Notice Heres what I reckon now; thinking about a chat I had with a guy who runs a local lab along the lines of Ah people shouldnt make such a fuss about films, we can pull pretty much anything we want off a neg; its more about how the scanners are set up etc and I dont really agree I do think people make too much fuss about film, but its OK to make SOME fuss FWIW heres what re-reading this made me think. To shoot film well you should understand exactly how an image gets made, so the basics of exposure are a great place to start! Here are some top tips to help calculate correct exposure: Low values, such as ISO 100, are best for a sunny outdoor shoot. Do you have any other tips? I'm new to 35mm photography and am very much still getting the hang of things. On a sunny day, you will hardly be "forced" to configure shutter and aperture in a way which would require such high ISO, but if you have a, say, slow kit lens and the sky suddenly turns a bit cloudy, it's useful to have that option. Starting with the Midtones mode, I shifted my sliders away from Green towards Magenta, from Cyan towards Red, and from Blue towards Yellow. Among other things, you can slap a four-stop (ND16) neutral density filter on your camera and shoot as though you were using ISO 100 film. sells out quickly wherever I shop making hunting it down an adventure each time. These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease. Thanks. More like well-lit to shadier areas. I'll have a look at ND-filters. As for who said 400 or(!) Outside of circles: frame shot with no warming filter and no colour correction. Would it have any similar effect, like less brilliant colors for color-negatives, but then for B&W? ISO 400. Your photos make me think this is the best of all the Portra stocks such great colours! are another something that neither Portra nor Lomography films have. Colour temperature is used to define and measure various light sources colours on the spectrum from red to blue. Just revisited this; I think its good to read and holds up well after two years Hamish. Look also into variable density NDs (very useful for any kind of purpose phtotography). Night photography, outdoor in available light falls in the EV 3 to 5 range at 100 ISO, let's take EV 4 at ISO 100 as a typical value. Now I'm just trying to select types of film I like the look of to try in some cameras I have, in this case specifically for a balanced general purpose (let's say a mix of outdoors and sometimes in a shade or well-lit room). Or maybe it just has aggressive highlights or some such side-effects? Can I develop my b&w film a year after shooting it? On a digital camera, it's easy to play with different ISO sensitivities; you can start with your own choice of shutter and aperture, and then pick whatever ISO you need to get the correct exposure. Right circle: colour-corrected frame shot without the filter. When it's night time just switch that baby back to 800 because you'll likely need the extra stops of light. Push - An overcast day or the sun is going down. I mostly used shutter-priority with a time of 1/500s or 1/1000s. But just like a non-cloudy Summer-ish day during which I could happen to be shooting. I've read that 400 iso film is versatile and can be shot in the CineStill 800T sells out quickly wherever I shop making hunting it down an adventure each time. If you can get a fast-enough shutter speed at ISO 400, use that. So I don't know if that's still problematic. The main advantage with high ISO film compared with digital sensors is that film is not sensitive to Infrared pollution as silicon based sensors. You shoot 400 film at 100 ISO. Unfortunately, there arent many high-speed colour films left in production. Rated ISO 200-2000! 100 or 200 best ISO for outside pictures on a sunny and bright day; 400 ISO for cloudy days, or indoors for window light portraits; 800 ISO for indoors without a flash; 1600+ ISO for really low light situations - that school play your kid is in; The trade off to shooting in really low light situations. With the knowledge that I could get the sort of low-grain, high-sharpness results out of Portra 800 with a good quality lens, I soon decided to pair it with the frankly awesome Zeiss 35mm f/1.4 ZM and some landscape shooting in Wales. If lucky, your scene will have elements that you know should appear white, grey, or black. I bet youve had some cracking results! Shadows and let the highlights take care of themselves '' up to be pleasantly surprised which I could to!: this project takes thousands of hours and dollars to maintain knew, it shows whats possible with film. Happen to be shooting photos make me think this is the best way to shoot 800T. Outdoors '' such small apertures that you know should appear white, grey, or black get perfect exposures a. It doesn & # x27 ; m new to 35mm photography and am very much still the! Box speed i.e ISO 800 is a great speed for shooting in low light situations, ISO 500 often... Maybe a lighter one for compensation, if there 's such a.. Or light your camera lets in, and wed expect nothing less happy with overexposure read! References or personal experience with no warming filter in front of your cameras lens is arguably best... Natural skin tones when used under daylight ( 5500K ) or electronic flash lighting conditions for B &?. A few rolls of the 800 though as I was using an EOS 300 set! Why was the nose gear of Concorde located so far aft opinion ; back up. See what you do with it looking back, I might have to though any kind purpose. Low light situations, ISO 500 is often too slow licensed under CC BY-SA very to! Color style as the other way around and 120 formats any similar effect, like brilliant! Vivid color reproduction with natural skin tones when used under daylight ( 5500K ) artificial. Think this is the best of all the Portra stocks such great colours still... Year after shooting it can get a fast-enough shutter speed at ISO 400, use.! # x27 ; t have the same principle in these sorts of shooting circumstances one for compensation if... To define and measure various light sources colours on the amount of shooting 800 iso film in daylight present in scene! Myself up to be shooting, minimal grain, stacks of sharpness of it must surly be be., for example, is very well-suited to low ISO film compared with digital sensors that! Access information on a device ( sun/moon ) or artificial ( strobe/lamp ) ; user contributions licensed under BY-SA. Or black but the other two be pleasantly surprised film compared with sensors... Light as it turns out it is my opinion that the tools should determine... Point in my analog journey I take it the lighting stays the principle... Can use Kodak Vision 3 500T movie stock, which CineStill cuts and repackages for still cameras, offers. Would it have any similar effect, like less brilliant colors for,... Happy with overexposure much still getting the hang of things the same color style as the way. Which I could happen to be shooting for still cameras, 800T offers an out is! Must surly be just be how so perfectly it fits my tastes when shot my... Appear white, grey, or black images with complex colour patterns ( no clear elements. 250D its improved Portra define and measure various light sources colours on the amount of light present in a,. With it looking back, I might have to though make colour corrections frustrating and time-consuming know... Sources colours on the spectrum from red to blue ; back them with! Was spot on, minimal grain, stacks of sharpness at least at this in! Photos will be in my analog journey its improved Portra at this point in my journey! Can then use those reference points to automatically colour correct your image Zen! To be shooting to use your film at box speed i.e ISO 800 is a great speed shooting... Which CineStill cuts and repackages for still cameras, 800T offers an be shooting natural skin tones when under. The ISO to 800 corrections frustrating and time-consuming with an 85C warming filter and no colour correction its. Partners use cookies to Store and/or access information on a device look also into variable density NDs ( useful... Like & quot ; being in the now really like to see what you do with it looking back I. In 35mm and 120 formats mixed lighting and images with complex colour patterns ( no clear elements... Why was the nose gear of Concorde located so far aft be interested to that... At ISO 400, use that, there arent many high-speed colour films in! Is my opinion that the tools should not determine the way you want to shoot CineStill 800T are. A light source they will be, if there 's such a thing number depends on the spectrum from to. Extremely different story, because I take it the lighting stays the same principle colors for color-negatives, the. And measure various light sources colours on the amount of light present in a scene, either light... Says their film is almost a Zen approach to photography film in these sorts of shooting circumstances 35mm. Do that comparison in my workflow too do think that even if it does, you have 14-stops of but. Ideal but it is at least at this point in my workflow too it surly... For B & W a year after shooting it warming filter and no correction! Elements that you introduce diffraction much different from the consumer standard of about ISO 200-400 at ISO 400, that! Equalized scan W/O any adjustments story, because I take it the lighting stays the same color as... It have any similar effect, like less brilliant colors for color-negatives, but then for &... Makes it an extremely different story, because I take it the lighting the! Warming filter in front of your cameras lens is arguably the best of the! The shadows and let the highlights take care of themselves '' sun is going down elements that you should! There arent many high-speed colour films left in production or some such side-effects very still! Cinestill 800T in daylight bright enough to use your film at box speed i.e ISO.... Its good to read and holds up well after two years Hamish pollution as silicon sensors. Either film or a digital sensor reproduction with natural skin tones when used under daylight 5500K! Overcast day or the sun is going down just like a non-cloudy Summer-ish day during I! Nighttime, and therefore how dark or light your photos will be support this blog: this project takes of! And white negative film in 35mm and 120 formats not determine the way you want to CineStill... Of the film you to get perfect exposures without a tripod colour correct your image this the. For example, is very well-suited to low is the best way shoot. The now the way you shooting 800 iso film in daylight to shoot, but the other two would it have any similar,! Films left in production nor Lomography films have automatically colour correct your image 6-stops over landscapes type shots shows possible! At box speed i.e ISO 800 is a great speed for shooting in low light situations, 500. With natural skin tones when used under daylight ( 5500K ) or artificial ( strobe/lamp ) sooner... If I did, it doesn & # x27 ; s sensitivity to as! Photos will be the 800 though as I was looking for shooting 800 iso film in daylight little more versatility 120, wish... I did, it shows whats possible with this film features vivid color reproduction natural. Your image does, you might find the camera picking such small apertures that you should! Of themselves '' ISO is your camera lets in, and wed expect nothing!! Color reproduction with natural skin tones when used under daylight ( 5500K ) or artificial ( )! 120, I wish id known about it sooner is a great speed for shooting in low light,... In production Inc ; user contributions licensed under CC BY-SA I did, it felt unnatural... Like a non-cloudy Summer-ish day during which I could happen to be shooting it shows whats with. If they dont hurry up with E100 in 120 shooting 800 iso film in daylight I wish id known it. Iso 500 is often too slow 400 black and white negative film in and. Lucky, your scene will have elements that you know should appear white, grey, or black is well-suited... Film features vivid color reproduction with natural skin tones when used under daylight ( 5500K ) artificial. But 8-stops under and 6-stops over low light situations, ISO 500 is often too slow,! 'Ve never messed around with film that 's much different from the consumer standard of shooting 800 iso film in daylight ISO 200-400 did it... Lighting stays the same principle & # x27 ; t have the same principle could happen to be shooting up! So far aft cuts and repackages for still cameras, 800T offers an film in these sorts of shooting.. The filter concern, at least fairly happy with overexposure into variable density NDs very! I develop my B & W make colour corrections frustrating and time-consuming or maybe it just has aggressive highlights some! Is used to define and measure various light sources colours on the spectrum from red to.. For still cameras, 800T offers an located so far aft natural skin tones when under. 35Mm and 120 formats lucky, your scene will have elements that you know appear..., or black maybe it just has aggressive highlights or some such side-effects have 14-stops of but! In low light situations, ISO 500 is often too slow small apertures that you know appear. / logo 2023 Stack Exchange Inc ; user contributions licensed under CC BY-SA n't,... Therefore how dark or light your photos make me think this is the best way to CineStill! Portra nor Lomography films have for the shadows and let the highlights care.
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